Traditional Japanese
art
of dyeing with persimmon tannin
August 31 -
September 26,
2007
Kakishibu Art of Masamichi Terada
寺田昌道
Touching Stone Gallery is privileged to host the first
exhibition in America of kakishibu art by Masamichi Terada, master kakishibu
artist and author on this traditional Japanese art of dyeing with persimmon
tannin.
Kaki-shibu, meaning 'persimmon-bitter', is a natural dye
prepared from the fermented juice of unripe persimmons. Kakishibu is not for
artists seeking instant gratification. Persimmon juice must be aged for two to
five years to acquire its beautiful warm colors. Unlike other dyes such
as the more popular indigo, kakishibu not only adds colors, it actually
coats the materials with a protective film that makes the materials
water-resistant.
Kakishibu was one of the most widely used preservative and weather-proofing agents in Japan since the Heian Period
(782 – 1182 AD). Kakishibu-dyed
paper was used for everyday items from umbrellas to food containers, and even for decorating
traditional Japanese rooms, giving them quiet warm hues that become more
beautiful with age. Because of its non-toxic nature, kakishibu was also
the material of choice for treating ‘sake pouches’ (Pouches used for filtering
unrefined sake in the manufacture process). However, since the Second World War,
kakishibu has largely been supplanted by modern paints and chemicals. The ancient
art of dyeing with kakishibu appeared to be on its way to extinction when
it attracted the attention of Masamichi Terada.
Masamichi Terada (b. 1935) graduated from Kanazawa College of
Art. He started his career as a designer for Minolta Camera. One day his wife
brought home some old kakishibu-dyed sake pouches. Intrigued by the
subtle beauty of the material, Terada wanted to learn how the material was
created. He soon realized that the knowledge of kakishibu-dyeing was not
readily available. He decided to devote his life to study and preserve kakishibu-dyeing
as an art form. In 1984, he founded the Terada Product Design company
specializing in this medium. In 1995, he opened a gallery and studio in Hyogo
Prefecture and has since immersed himself in this
ancient art form. He authored two publications on kakishibu-dyeing techniques.
He taught and organized workshops to pass on his knowledge, and has been
invited to speak on the subject in lectures and television presentations.
In addition to teaching kakishibu techniques, Terada
has established himself as a leading artist in this medium, producing original
works that blur the line between functionality and art. He uses several
techniques to create designs on his works. Some are hand painted. Others
are created with stencils (katazome). One of his favorite techniques is
drawing with dye-resistant paste from a cone (tsutsugaki) to create negative images. The current show
features a body of Terada's most recent works, including
norens, tapestries, fabrics, and bamboo baskets decorated with kakishibu-dyed
washi paper.